Cableguys Bundle
Includes Curve 2, FilterShaper 3, VolumeShaper 3, MidiShaper

Cableguys - Audio Plugins

We develop state-of-the-art virtual effects as well as the critically acclaimed software synth Curve 2 — "an extremely powerful, flexible synth with a distinctive sound and a stunning, ever-expanding library of presets." (Future Music Magazine, January 2013)

Featured News

Work for Cableguys in Hamburg
April 16, 2014
We're looking for a Manager Communication / Business Development. Find out more.

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Striking pads and lead sounds: Xenos' new sounds for Curve 2
April 14, 2014
Curve 2's shared Preset Library keeps growing with new fantastic sounds from Xenos Soundworks.

Xenos created some beautiful deep atmospheric pads and striking lead sounds, letting his preferences for FM synthesis shine through. He also talked with us about how he got into sound design and what he likes most about Curve 2.

As with all of Curve's sounds, Xenos' sounds are free to all users.


Cableguys: Hello Xenos. How long have you been making music?
Xenos: I had about 18 years hobbyist experience as a synth programmer before getting my start professionally back in 2006. My first real keyboard was a Yamaha DX100 my mum got me for my 10th birthday, and I learned my way around FM synthesis from a very early age.

What style of sounds do you prefer?
As FM was the very first synthesis type I learned, it definitely influenced my style and sound. I would describe it as being very tonal and precise, with a tendency towards more stark and gritty textures. However, when I first got my hands on a non-FM synth (Roland JX8P), I was like "WOW!" It sounded so smooth and organic. I had never seen filters before then, and was surprised how the sound could be so dramatically changed with something so simple. A VA synth just has a character you simply cannot get from an FM synth. That had quite a big effect on my style as well.

What do you like most about Curve 2 and what makes it unique in your opinion?
What I like most about Curve 2 is the ability to use your custom waveforms as LFOs. Its FM synthesis parameters are great for adding an icy touch to your sound. If you're into Dubstep, FM is definitely your friend. It's how you get those robotic, aggressive basses.

Do you have any suggestions for users of Curve 2?
Take a Dubstep bass, automate Curve's Macros, and you have the twisting, warbling, morphing basslines we all love. There's another aspect of Curve 2 that deserves a mention: Thanks to the ability to draw complex waveshapes and use them as LFOs, it's a GREAT choice for making moving, evolving pads, soundscapes and atmospheres. You can stack 4 LFOs at once, each having a custom built shape, and create complicated rhythmic sequences that loop across several bars.


To get Xenos' new sounds, just open Curve 2, hit the Sync button and you can check them out for yourself!

And watch out for more presets from other sound designers to come, getting the most out of Curve 2's versatility.

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FilterShaper 3 — Hands-on with Computer Music magazine
April 7, 2014


Watch Computer Music get hands-on with FilterShaper 3 in this in-depth new video!

"FilterShaper 3 is a bonkers frequency-sculpting plugin that can achieve mind-bogglingly intricate modulation while managing to make all of this simple and approachable. .. We stumbled upon awesome sound after awesome sound playing around with percussion loops, shaping background atmospherics and working up evolving pads."
(Computer Music Magazine, CM 202)

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FilterShaper 3 Tutorial
February 24, 2014


Myagi had a close look at FilterShaper 3, showcasing its features and sound in this new video tutorial. We hope you like it!

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Crazy patterns and synthlines: EdT on his new sounds for Curve 2
February 13, 2014
This week we added some great inspiring presets from Ed Ten Eyck (EdT) to Curve 2's shared Preset Library. His trademark are unique rhythmical and melodic synthlines that take full advantage of Curve's freely editable LFOs and envelopes. We have been curious how he comes up with his ideas and asked him to give us some insights to his approach of creating new sounds.


Cableguys: Hello Ed Ten Eyck. How long have you been making music?
Ed Ten Eyck: Hi. I've been making music since 1985. Through the years I have made presets for hardware synths (Juno-106 and Wavestation), but switched over to creating on virtual synths in 2010.

What do you like most about Curve 2 and what makes it unique in your opinion?
The thing I like the most about Curve 2 is that I can draw my own waves. The ability to use these waves as OSCs and LFOs makes it unique. It's quite flexible and a great way to get inspired.

For what kind of sounds do you prefer Curve 2?
Rhythmic, synthline and bassline sounds are my favorite with Curve2. Layering them can produce some interesting grooves.

Which one of the presets you have just uploaded is your favorite?
Mantis Groove. It's fun to experiment making glitchy patterns with it in the DAW vs. just holding a note for the whole bar. Filter and resonance are assigned to the modwheel which is useful for effect.

Do you have any suggestions for users of Curve 2?
Try using fast fixed sync LFOs to modulate filter cutoff and resonance for interesting tones. Use LFO 3 or 4 for fixed syncs, and you still have LFO 1 and 2 open for beat retriggering.


If you want to listen to EdT's typical glitchy patterns in action, listen to this track, including his new presets "Mantis Groove", "Sawpan" and "Biperc":




To get EdT's new sounds, just open Curve 2, hit the Sync button and you can check them out for yourself!

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David Guetta on VolumeShaper
January 24, 2013


David Guetta on cutting a kick to fit with the bassline: "Very very recently I've found a way to do it that is really amazing, I actually did it here.. the sidechain that I am using with the bass is something that is called VolumeShaper".

Btw. it's a great video with quite some tricks in there, definitely worth watching!

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Read more entries in our news archive.

Curve 2 Reviews
"A superb synth with slick customisable waveforms and a brilliant cloud-based preset library."
ComputerMusic
January 2013

"Curve 2 is adept at everything from thunderous dubstep bass wobbles to shimmering pads, advanced, complex sequences and eerie effects."
MusicTech Magazine,
November 2012
More reviews
 
 


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